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The 1000++ Artworks of media Oil On Canvas and containing the word tom wesselmann, oil on canvas, pop art, america, nudes, 1975

TOP323/1000
Rene Magritte - The Menaced AssassinThe Menaced AssassinRene Magritte

The Menaced Assassin (French: L'Assassin menacé) is a 1927 oil on canvas painting by Belgian surrealist artist René Magritte. The main subject of the painting, a blood-smeared nude woman, is seen lying on a couch. The assassin of the painting's title, a well-dressed man, stands ready to leave, his c...

Museum of Modern Art (New York, United States)
 
5/1000
Pierre-Auguste Renoir - Reclining NudeReclining NudePierre-Auguste Renoir

Nudes and the grand tradition of classical art preoccupied Renoir in the 1880s. In this painting, he paid homage to Ingres's Grande Odalisque (Musée du Louvre, Paris), although he transformed Ingres's cool courtesan into a healthy, pink-cheeked girl, and the harem into an Impressionist landscape rem...

The Metropolitan Museum of Art (New York, United States Of America)
9/1000
Wolfgang Lettl - Conte di TroiaConte di TroiaWolfgang Lettl

Between 1975 and 1995 Wolfgang Lettl established a second residence in Puglia (Italy). Inspired by the southern light he occasionally created impressionistic paintings./

 
10/1000
Tom Wesselmann - Bedroom Painting No. 15Bedroom Painting No. 15Tom Wesselmann

Mundane objects become erotic in Tom Wesselmann’s Bedroom Painting No. 15. The shiny orange and the bright yellow pillow that dominate the composition coyly resemble women’s breasts, while an extended pink foot with painted toenails suggests a lounging female nude. The rose and the lover’s photograp...

Chrysler Museum of Art (Norfolk, United States)
 
11/1000
Jean Auguste Dominique Ingres - Odalisque in GrisailleOdalisque in GrisailleJean Auguste Dominique Ingres

This is an unfinished repetition, reduced in size and much simplified, of the celebrated Grande Odalisque of 1814 (Musée du Louvre, Paris), an imagined concubine in a Middle Eastern harem. The painting was central to Ingres’s conception of ideal beauty, and its influence was bolstered by his longevi...

The Metropolitan Museum of Art (New York, United States Of America)
12/1000
Kees Van Dongen (Cornelis Theodorus Maria Van Dongen) - MariaMariaKees Van Dongen (Cornelis Theodorus Maria Van Dongen)

This portrait entitled Maria, presumably after the model who sat for the picture, captures the direct gaze of the sitter. The painting was quickly rendered with a large brush and intense, unblended color. Van Dongen’s use of unblended color reflects his exposure to and general association with Fauvi...

The Metropolitan Museum of Art (New York, United States Of America)
 
TOP31013/1000
Joan Miró - Standing NudeStanding NudeJoan Miró

In this oil on canvas, Miro makes use of basic geometric forms. He creates this woman's figure with a rhythm so the viewer has to look up and down the canvas. Miro manages to show the front and side of each body part to allow the viewer to examine how everything was pieced together. Miro's goal was ...

Perls Galleries (New York, United States)
 
18/1000
Gerard Ter Borch The Younger - Margaretha van Haexbergen (1614–1676)Margaretha van Haexbergen (1614–1676)Gerard Ter Borch The Younger

Gerard ter Borch was one of the most compelling Dutch artists of the seventeenth century, recognized then as now for his handsome portraits and refined genre subjects. These splendid pendant portraits of Jan van Duren and his wife, Margaretha van Haexbergen (1975.1.141 and 1975.1.142), rank among th...

The Metropolitan Museum of Art (New York, United States Of America)
19/1000
Gerard Ter Borch The Younger - Burgomaster Jan van Duren (1613–1687)Burgomaster Jan van Duren (1613–1687)Gerard Ter Borch The Younger

Gerard ter Borch was one of the most compelling Dutch artists of the seventeenth century, recognized then as now for his handsome portraits and refined genre subjects. These splendid pendant portraits of Jan van Duren and his wife, Margaretha van Haexbergen (1975.1.141 and 1975.1.142), rank among th...

The Metropolitan Museum of Art (New York, United States Of America)
21/1000
Jean Baptiste Camille Corot - A Woman ReadingA Woman ReadingJean Baptiste Camille Corot

When the seventy-two-year-old Corot showed A Woman Reading at the Salon of 1869, the critic Théophile Gautier praised its naïveté and its color but criticized the faulty drawing of the woman, noting the rarity of figures in Corot’s work. Although the artist had painted similar studies for about a de...

The Metropolitan Museum of Art (New York, United States Of America)
25/1000
Francis Bacon - Three Studies for Self-PortraitThree Studies for Self-PortraitFrancis Bacon

As Bacon remarked to British art critic David Sylvester in 1975, 'I loathe my own face . . . I’ve done a lot of self-portraits, really because people have been dying around me like flies and I’ve nobody else left to paint but myself.' This striking triptych, featuring a head emerging from a deep aby...

The Metropolitan Museum of Art (New York, United States Of America)
 
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